Indiana Jones teams up with his father to try and locate the Holy
Grail. Something that the Nazis are again particularly interested in
themselves.
We didn't know it at the time, but every Indiana Jones fan on the
planet presumed that The Last Crusade was to be the final film to
feature the intrepid archaeologist. As it turned out, another film
would surface in 2008, but casting that aside (as many would like to
do), Last Crusade should, and is, judged as the trilogy closer it was
meant to be.
In 1988 Steven Spielberg was deep into bringing Rain Man to fruition,
all thoughts of Indiana Jones had gone by the wayside with the harshly
judged part two, Temple Of Doom. In stepped George Lucas to politely
remind Spielberg that they had an agreement to make another Indiana
Jones picture, Spielberg no doubt obliged and humble, passed on his
Rain Man work to Barry Levinson who promptly bagged himself an Oscar
for the film. It can be guessed that Spielberg was probably grouchy
around this period, but he needn't have worried, because The Last
Crusade provided a much needed hit for not only himself (post Empire Of
The Sun), but also Lucas (Willow) and Harrison Ford (Frantic).
I mention the run up to this picture because it explains a lot on why
the film is pretty much a retread of Raiders Of The Lost Ark, something
that some detractors find unforgivable. Yet Last Crusade is still an
immensely enjoyable adventure picture, with Spielberg proving that he
was still capable of a popcorn bonanza. Using the Raiders formula and
moving away from the dark flourishes of Temple Of Doom, Last Crusade is
actually the simplest film of the three, but still it manages, courtesy
of a sparkling casting decision, to become the most entertaining of the
original trilogy. Is it better than Raiders? Of course not, but it
positively rips along with sparky dialogue and an agenda of
cliffhanging suspense like the adventure films of yore.
In comes Sean Connery as Dr Jones Senior, and its the picture's trump
card, because the magnificent interplay and obvious rapport with Ford
(cool as a cucumber) is there for all to see. It's this what drives the
film on thru it's more mundane and picture filler sequences, showcasing
two top wily professionals with care and consideration to their craft.
The casting of Alison Doody as the main female is a poor one, and one
only has to look at her subsequent career post Crusade to see she
wasn't up to the task here. Bonus comes in the form of the River
Phoenix prologue, Phoenix as the young Indiana paves the way for the
jaunty path that Crusade takes, whilst simultaneously giving us a nice
little back story from which to launch the adventure.
Made for $48 million, the film went on to gross $474,171,806 Worldwide,
now that's a lot of people who evidently were happy with Raiders Of The
Lost Ark 2! And I gleefully count myself amongst that number. 9/10
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